Georges Bizet, what can I say? I had him in the second grade book aeons ago when we played Habanera. That was fun—I really loved that syncopated rhythm. And the learning never stops. I have not perfected
this bullfighter's anthem by any stretch of the imagination. My current weak spots are
a couple small jumps in the 4th and 5th bars. I kinda realise I just need to
isolate and work on them though, because they haven't always been my
weakest spots. What happened, I think, is that the polishing that I've
done to the other areas have caused what I might have previously
considered strong areas to appear weak by comparison. This is good, of
course. It means progress is being made... but the song, as I
currently play it, still sounds pretty horrible.
The good news is that the above double-time, backhanded-F-major-scale-that-starts-on-C is looking and sounding a lot better as of yesterday! Molto crescendo! Also, that trill-esque passage in bar 9 (repeated in bar 21) is looking pretty okay too in the right hand; if I could only get my left hand to keep up, I'd be set. Oh yeah, and how 'bout those acciaccaturas? They're coming along... It's a work in progress though, and I'm learning to be patient and allow myself the time I need to grow.
Alan Chan's rendition
The good news is that the above double-time, backhanded-F-major-scale-that-starts-on-C is looking and sounding a lot better as of yesterday! Molto crescendo! Also, that trill-esque passage in bar 9 (repeated in bar 21) is looking pretty okay too in the right hand; if I could only get my left hand to keep up, I'd be set. Oh yeah, and how 'bout those acciaccaturas? They're coming along... It's a work in progress though, and I'm learning to be patient and allow myself the time I need to grow.
Alan Chan's rendition
No comments:
Post a Comment